f i n e   a r t
 

p. 614.228.8955  •  f. 614.228.9871  •  694 North High Street, Columbus, OH  43215
 


 

GALLERY V PRESENTS

N e w   P a i n t i n g s

by

RONALD V. CLAYTON

&

MELINDA KAY ROSENBERG

_______________________________

Ronald V. Clayton

Melinda Kay Rosenberg

 

For additional pieces from these artists and more, please view our artists' works online or visit Gallery V.

EXHIBITION
May 23 - July 6, 2002

OPENING RECEPTION
Thursday, May 23
5:30 - 7:30 PM

GALLERY HOURS
Tuesday - Saturday 11:00 - 5:00 PM
and by appointment

RONALD V. CLAYTON’s interior spaces evoke images of deteriorating industrial buildings, painted in vivid colors and with varying pictorial surfaces. These geometrical compositions of color, forms and textures express an affinity to the modernist picture plane. However, Ronald establishes a counterpoint to the abstracted interiors by offering the viewer an alternative to these vaguely threatening spaces: portals opening on to an exterior world of lush landscapes. Ronald utilizes linear perspective to create lifelike depictions of the natural world. Thus, he offers dualistic views of differing histories of painting (representational and influenced by Renaissance perspectives, and formal modernist concerns with color, shape, form), as well as dualistic views of our experiences within the constructed spaces of civilization and the untouched natural world.

MELINDA KAY ROSENBERG’s latest works are primarily in circle forms, incorporating mixed media such as found objects, clear casting resin, maps, wood and acrylics. The found objects, often small marbles or twigs, are inserted in the clear resin, thereby suspending the objects within the work. Melinda then covers the surface of the work with maps, which dissolve in the center to reveal the captured objects beneath. The maps represent our indirect perception of the world, requiring some abstract thought to understand, whereas the found objects represent a simpler more direct experience of the physical world. Seen together, one must shift modes of perception from direct perception to indirect perception, and consider the differing relationships between micro and macrocosmic views of the world.